Datesville, Chapter 1

Datesville: Out of the Land of Bondage!

Chapter 1 — The Bermuda Hotel

 

My legal name is Henry Thakur but I’m currently going by “Harvey Orange” as a pen name for a couple of different reasons.  It’s complicated so I’ll try to explain as I go.  Anyway, I’m not happy with my current situation.  In fact, I’m scared out of my wits.

So here’s the deal:

I’m stuck in Tulsa, Oklahoma, of all places.  But I’m afraid that’s going to change soon.  I’m out of cash—getting close anyway—and tonight I’ll have to fork over half the cash I have left to that little SOB manager for the rent or get my rump kicked out on the street, making me officially homeless.

The problem is, unlike the ninety-two million unfortunate Americans residing under trees and bridges these days, I’ve never been homeless before.  I’ve observed it, written forty or fifty articles about it—homelessness, I mean—but I’ve never actually been homeless myself.  And I can tell you, it’s not a safari I’d volunteer for, either.  Anyway, for the time being I’m crashing at the Bermuda Hotel.  And in case you were wondering, despite the moniker, the Bermuda is not resort accommodations—not by a long shot.

Actually, “Bermuda” is not even the real name of this place, never was.  Instead, it was once the name of a restaurant called The Bermuda Grill which used to exist on the ground level of the building, off the hotel lobby.  The restaurant is long gone and boarded up but no one ever bothered taking down the sign which still hangs on the corner of the building and which, by some miracle, hasn’t fallen off by itself.  It’s a large sign and everyone seems to ignore the fact that it reads: The Bermuda Grill, not Hotel.  So the residents here continue to call this place by its misnomer: “The Bermuda Hotel”.  See?  I still do my research.  It’s a lost art among writers these days.  Anyhow, that’s where I live: the Bermuda Hotel on West 4th.  Home Sweet Home—for now.

The hotel was probably built in the Nineteen-sixties so it’s a dump.  But ten bucks buys you a week’s rent and utilities.  Except the hot water’s a joke.  Take this morning for example.  I get up at five-thirty—I’m not a morning person, mind you—to beat the crowd to the showers and have a nice, soothing ten minutes of hot water.  But when I turn on the shower the water is tepid.  And I only get five minutes of that before it goes subzero on me.  That little tinpot manager turned off the hot water heater overnight to save fifty cents worth of electricity at our expense.  Someone ought to kick his ass.

But let me back up a little, if you will, and start at the beginning, how I got into this fiasco in the first place.  It all began about two years ago:

So it’s November and I’m sitting in the posh lobby of the Hotel Grant Imperial across town—right here in Tulsa—waiting for a limo to pick me up.  (Quite a fall from grace, right?)  But back then I was used to staying in places like the Grant Imperial and used to rubbing elbows with people like Marcus Purcell—billionaire—who had invited me to lunch that afternoon and who had agreed to sit for an interview for a profile piece I was supposed to write for the Pollylama.  Don’t ask me what Pollylama means; I don’t know.  It’s one of these slick, online tabloids that I’ve never read.  Anyway—  You could say that by this point in my career, I had built a successful pop-journalism brand by writing for these “respectable” gossip tabloids, like the Pollylama.

So here I am, sitting comfortably in the lobby between a giant Christmas tree and the hearth with its fake logs and roaring, gas-flame fire.  And I’m looking out the floor-to-ceiling windows, waiting for Purcell’s limo to arrive.

Being mid-November, it’s cold—one of those dreary, overcast days Tulsa is famous for.  And though it’s not yet Thanksgiving, the hotel lobby is festooned for Christmas already, and fantastically so, with a real spruce tree towering at its center, lit with a million lights, draped with garland, and hung with huge gold and silver balls of real glass.  The fresh tree perfumes the entire lobby.  And under the tree, are large boxes in a variety of shapes, all gift-wrapped in bright paper and tied with colorful ribbon, like real gifts.  The only thing missing is Christmas music, but the Hotel Grant Imperial has the good taste to wait on that in deference to Thanksgiving.  Instead, they’ve piped in symphonic, easy-listening stuff.  So there I am, happy and sitting in the deep leather cushions of one of the hotel lobby chairs, waiting for my ride.

Pretty soon, a long, jet-blue Bentley pulls up under the portico, headlights gleaming like it’s just come from a funeral.  The fact that it’s a limousine tips me off that it’s probably my ride.  So I gather my coat and briefcase and stroll toward the lobby exit.  The doors puff open and slide closed as I pass through.  A cold wind blasts through the portico as the driver’s door on the limo pops open.  The driver gets out and stands beside the car waiting for me; he has impeccable posture.

Despite the cold, the driver’s manner is relaxed and he wears a smart, navy blue uniform with dove-gray piping and matching gray gloves.  He’s a handsome fellow.  He tips his hat and bows slightly as I approach.  And with perfect fluidity he opens the back door.  I nod my thanks and get in.  It’s all like something out of a movie.

“Good morning, sir, how are you today?” he asks.

“I’m fine, thank you,” I answer.

“May I stow your bag or coat for you?”

“I’d like to keep them with me if that’s all right.”

Now I get a better look at him, the driver, I mean.  He has beautiful skin, black eyes and eyebrows, a serene smile; and as mentioned, he’s handsome.  His accent is subtle—eastern, I think, Indian perhaps.

“It is indeed, sir,” he replies to my request to keep my coat and attaché with me.  “We hope you will find everything you need to make your journey a pleasant one.”  He makes me feel like I’m boarding a private jet instead of getting into a car for a trip across town.  “If you please, sir, do avail yourself of the passenger comfort features,” he says, as I scoot in and arrange my stuff.

He takes the time to point out the comfort features for me.

“Just a quick overview,” he says as he begins.  “This is the beverage machine.  It makes a surprisingly good cappuccino or anything else you desire in the way of coffee, tea, soft drink, or cocktail—”

He’s an efficient fellow—economic with his words.  I like that.

“The media center, here, offers high-speed, secure internet and a variety of music channels for one’s listening pleasure.  And, of course, here are the comfort controls for your seat: firmness, temperature, even massage if you happen to be in the mood for it.  But please, do make yourself comfortable, Mr. Thakur.  Sir, are you familiar with AIA technology?” he asks.

AIA stands for: Automated Inboard Attendant; it’s the artificial intelligence interface for using the car’s amenities and features.  I have interviewed several billionaires like Purcell who have shuttled me to and from hotels and airports in cars like this one, so I’m not entirely bowled over by the futuristic features the Bentley limo offers.

“Yes, I am actually,” I say.

“Then you will do fine, sir.  Ours is Megan.  We shall arrive at our destination in approximately twenty-three minutes once we are underway.  Is there anything else you need, sir, before we embark?”

“No, I’m quite fine, thank you.”  Then I do remember something.

“Very good!,” he continues, “then we shall we depart.”

“Oh, you could answer one question before we go,” I say.

“Anything, sir.”

“What is your name?”

My name, sir?”

“Yes.  I’m a journalist so I like knowing people’s names—if you don’t mind telling me yours.”

“Not at all, sir:  I am Paranjay.  In Hindi it means Lord of the Sea.  My father’s dream, bless his soul, was that I should one day return to Sri Lanka and take up the family business—as fisherman, the same as he and my grandfather were.  But I was not a very good son, I’m afraid.  Instead, I attended Harvard and studied business and did not return to my homeland.  But yes, my name is Paranjay.  Was there anything else, sir?”

“No, that’ll do.  Thank you, Paranjay.  It is good to meet you.  And I’m sure your father is very proud of you.”

“Thank you, sir, but my father has, as you say, gone to meet his maker.”

“Oh, I’m sorry.  I hope—”

“It’s nothing, sir.  He passed many years ago.”

“I’m Henry, by the way.”

“Yes, I know, sir.”

“So I guess that’s all.  I’m ready when you are, Paranjay.”

“Very good then!  We shall go.”

Paranjay closes the door, encapsulating me within the comfort of the spacious passenger compartment.  As the door shuts, soft lights appear here and there, illuminating the beverage machine and other controls within my reach.  My seat releases and takes in air silently and automatically to cradle and support my body.  It feels as if I’ve just sat down in a cloud and am not using any of my own muscles to remain upright.

I’m glassed in from Paranjay.  A computer touch-screen, like a window, now glows in front of me, offering an array of menu options: Call Megan, NYSE, NASDAQ, Entertainment Live, WiFi, VSAT, SATPhone, and others, several of which I have no idea what they are.

A soft tone sounds and a female voice begins speaking.

“Good morning, Henry!  May I call you Henry?”

“Of course,” I answer.

“Thank you.  On behalf of Mr. Purcell, I would like to welcome you aboard.  I am Megan, your inboard attendant.  If at any time you should need me, just say my name or touch Call Megan at the top of the screen in front of you and I shall be ready to assist you.  I’ve noticed that you speak American English, Henry.  Would you prefer I continue in American English?”

At that same instant, a new menu array on the touch-screen appears, displaying a list of some fifty or so languages and dialects.

“English is fine,” I answer.

“Thank you, Henry.  Are you comfortable?”

“Yes, very comfortable,” I say.

“Great!  Now, shall I adjust your cabin lighting for reading?”

“No, thank you.  I won’t be reading right now.”

“Okay, that’s fine.  While I’m here, may I serve you a beverage?  Or if you’d prefer, I can read our beverage menu for you.”

“Ah, black coffee would be great.”

“Absolutely!  Henry, please select your roast on the screen by touching it.”

Again, the screen changes to display six different coffee roasts.  The list is surprisingly pedestrian—no Kopi Luwak or Black Ivory.  Maybe Purcell isn’t into coffee, I think, or maybe he just grew up on Folgers like normal people.  Megan waits for me to touch the screen.  I scan the list and make my selection.

“Mmm,” says Megan, “Ethiopian Light; one of my favorites.  I’ll start that now.  Your coffee will be ready in about thirty-seconds.”

“Thank you, Megan.”

“You’re welcome, Henry.  One last thing.  Since you won’t be reading this morning, would you like me to set your environment for relaxation with aroma therapy and a little soft music or shall I leave things as they are?  And remember, you can always adjust your environment at any time, just by letting me know.”

“Ah, sure!  An environment sounds good.”

“Very well.  Henry, will you trust me to choose your environment today or would you prefer choosing your own settings?”

“Surprise me, Megan,” I answer.

“Very well, then.  I’ve selected Ocean for you.  Is that okay?”

“Yes, perfect.”

“Great, thank you.  So now, just relax and enjoy.  Oh, and by the way, your coffee is ready.  Be sure to secure the lid before enjoying it.  And, please, do call should you need anything else.  I’ll check on you later, too.  It was lovely meeting you, Henry.”

“You too, Megan.”

“Thank you and enjoy the rest of your trip.”

Already, the lights are dimming.  A sonorous cello begins playing, behind the sounds of distant seagulls and waves that paint a mental image of great expanses of sky over water.  The cabin fills with what smells like sea air, packed with oxygen, moisture, and salt—and it’s fresh.  One can imagine bits of sea shell rolling over sand and bare toes in lines of advancing foam.

These AIAs are quite amazing technology.  They can be programed with different names such as Megan, Amanda, Kristine; Brandon, Antonio, or Reuben, among a hundred others, all having unique personalities, who can be given different styles of language accents such as: British, American-South, Japanese, Swedish, French, Spanish, Indian, or Hungarian, to name only a few.

With experience, I’ve become comfortable with these technological personalities.  Their vocabularies and recognition of dialect, idiom, and even jargon are absolutely astounding.  With each upgrade they become more casual and conversational to the point, now, that they are like talking to real people at a cocktail party.

But American billionaires, such as Purcell, are enamored with this sort of high tech, high-end gadgetry which—with the special comfort features—can triple the cost of your standard Bentley limousine.

“How is your coffee, sir?”

It’s Paranjay.  His face appears on the touch-screen in front of me.

“It’s very good, Paranjay.  Just like I make at home,” I joke.

“Glad you like it.  And how is Megan?”

“She’s sweet.  Makes a hell of a cup of coffee, too.”

“Yes, I had to disable her momentarily so I could call back.  She tends to interrupt sometimes so I gave her a couple of minutes off.”

“Say Paranjay, I’m glad you called.  I had something I needed to check with you.”

“How may I help, sir?”

“Yes, well, what I need to know is: what’s Mr. Purcell’s address?  I want to make sure I have it right for the profile.”

“Do you mean his business address or the street address of his residence where we are going now?”

“Ah, yes, the street address, if you please.”

“Of course.  That address is: 1-3-0 New Market Boulevard, Suite 9.  Mr. Purcell’s apartment occupies the eleventh floor.  The building is the historic Mann Hotel, its lobby and decor fully restored, of course.  Do you know it, sir?”

“I’ve heard of it but, no, I’ve never been inside.”

“I think you will enjoy your visit; it’s a fine building.  I believe Mr. Purcell is expecting you for lunch, today.  Is that agreeable with you, sir?”

“Yes, I’m hungry.”

“Excellent!  Well, then, unless there is anything else I can do, I suppose I’ll give you back to Megan for the rest of the ride.  Is that all right, sir?”

“Yes, I’m fine, Paranjay.  The address was all I needed.  Thank you.”

“You’re welcome.  We should arrive at our destination in approximately seventeen minutes.  For now, Mr. Thakur, I’ll say good bye.”

“Yes, thank you, Paranjay.  Good bye.”

I slouch in my seat and extend my legs.  The seat automatically reclines some and readjusts the cushioning to fit my position.  Normally, I might have taken the opportunity to review my notes before the interview, but at this moment I’m too comfortable to worry about it.

A few minutes later, Megan returns, as promised, to check on me but there’s nothing else I need.  So I ride on, enjoying the ocean environment until about a minute before our arrival at the Mann Building.

At this point, the environment fades, the lights come up, and Megan returns once more to announce that our destination approaches.  She, of course, leaves me with a final salutation to say what a pleasure it has been to serve me and to express how nice it would be to do so again sometime in the future.

By this time, we are gliding silently west on New Market Boulevard toward North Atlas Avenue where New Market ends and beyond which lies the Federal Interstate Freeway and beyond that the fouled and fetid Arkansas River which supplies the city with much of its wealth and a good deal of its unsavoriness.

I notice that the car never meets a red traffic signal, that magically every signal turns green before we get to it, so that the limo skates along wherever it goes without ever having to stop.  What miracles are possible when business, government, and technology merge in doctrine and function.  It has become a very efficient world for men like Marcus Purcell, a world void of nuisance and aberration.

Soon, we pull up in front of the Mann Building on New Market Boulevard.  It’s constructed of gray stone and stands only thirteen stories high and is, in my opinion, architecturally unremarkable.  It doesn’t look like the residence of one of the richest men in the world.

As Paranjay brings the car to a gentle stop, my attention is drawn to what appears to be a cast of performers acting out a street drama on the broad walk in front of the main entrance.  My first impression is that it’s a satire—a kind of Punch and Judy show but played by real actors.  That’s what I think at first glance.

At center stage, is a Don Quixote-looking character.  He brandishes a broom, gripping the broomstick just above the brush so that the handle becomes a long sword.  This character wears a metal cooking pot on his head for a helmet over a stocking cap.  From under the stocking cap sprout uneven strands of gray, thin hair.  The cooking pot’s handle sticks out behind the base of his skull like a ponytail.  The fellow playing Quixote is sinewy and gaunt and, like his literary counterpart, dons a scraggly gray goatee and mustache, neither of which are well shaped.

But for an older player, our Quixote is extremely agile.  He hops, left and right, back and forth, alternating his lead foot each time and lands in a position of attack like a samurai, poised to engage his opponent.  Then he runs in place as if conjuring more force for his next attack.  After that, he whirls and swoops—his sword cutting the air, high and low.  And in between the hopping and whirling, he taunts his adversaries with the sword in grand figure-eights before jumping into a thrust which he punctuates by smacking the broom handle on the pavement.

The objects of his aggression are two uniformed city police—or actors dressed like them.  But they stand well beyond the reach of Mr. Quixote’s sword though, now and then, they try to advance a little on either side.  The officers each have one hand extended and the other resting on the holster of his sidearm.  They move tentatively, trying to corral our protagonist by positioning themselves on either side of him, but Quixote will not allow it.  The dervish Quixote holds them at bay with his exaggerated fencing motions, all the while grinning broadly and shouting:  “Oh no you don’t you clumsy jackasses!  Haw!  Haw!  I am the Defender of Justice, the Champion of Chivalry and Honor!  Take that, you knaves!”  And again he slaps the pavement with the broomstick.

I find myself chuckling at this droll performance as I sit watching from the back seat of the limo.  Paranjay has apparently made his assessment and appears again on the screen in front of me.

“It looks like we have a minor situation, sir, in front of the building,” he says flatly.  “For the sake of safety, I suggest we let our fine gentlemen in uniform do their job before we exit the vehicle.  What do you think, sir?”

“That’s fine with me, Paranjay.  This guy’s funny,” I comment.

“Indeed, sir.  It looks like we’ll be okay to wait here until the situation resolves.”

Besides his stocking hat and helmet, Quixote wears a bulky sweater which is ragged and has large holes in it, in predictable places.  The sleeves of the sweater are much too long for his arms, so he has cut openings near the ends of the sleeves through which he pokes his thumbs.  This fashion ingenuity has improvised the sleeves below his thumbs into fingerless gloves.  Adding to the absurdity of his costume, Quixote wears green sweatpants—badly soiled at the knees and bottom—which might once have belonged to a woman because they reach only as far as his calves and fit tightly on his pole-shaped legs.

Then below the sweatpants, he dons fuzzy, blue knee socks and scuffed oxfords which look a size or two too large for his feet.  Around his neck is wrapped a long, striped scarf of many colors.  It hangs nearly to his knees.  And finally, on his back, he carries a sort of backpack, made out of a plastic garbage bag which is, I’m guessing, full of aluminum cans and plastic bottles.  He looks like some sort of strange insect—a colorful beetle, perhaps.  The contents of his backpack clatter as he whirls and jabs at his foes with the broomstick sword.

There are two young women—supporting cast, you might call them—present with Quixote and the two police officers on stage.  One of the women is obviously pregnant; both are huddled against the wall, behind Quixote and beside the glassed-in entrance of the building.  They, too, wear stocking caps on their heads.  Their costumes are those typical of homeless peasants in winter which one sees everywhere.  The two women are significantly younger than Quixote which makes me wonder if the fair damsels are the reason Quixote sprang into action in the first place and took to arms.  Perhaps, one of the officers had besmirched their honor and virtue by making a rude comment or reproaching their presence on the street.  But this I’ll never know since I’ve missed the opening act of our melodrama.

The damsels twitter into their mittens at the bravado of their swashbuckling knight.  Inside the building and from behind the entryway’s thick plate glass, two private security guards watch the performance and are doubled over in laughter.  They find it highly entertaining that their frustrated colleagues in uniform can’t catch this jester-like figure, and the skinny, bearded senior with a pot on his head, at every turn, evades and outmaneuvers them.  The longer the act continues, the harder they laugh.

But suddenly, the tone of the drama changes.  One of the police officers—the one with the drum-like torso and not too agile of foot—bolts forward in a daring attempt to flank Quixote.  But our geriatric Jedi anticipates the officer’s bold attempt and, with a whirl and a Haw!, swats him squarely on the knee with his sword.  The officer cries Ow! and goes down on one knee with a grimace.  In an instant, Quixote whirls again and springs back to his defensive position between the officers and the damsels, resuming his martial arts maneuvers with the broom.  But by busting the officer with his broomstick, Quixote has excited the other officer to draw his weapon who, with a doubled-handed grip, trains it on the nimble coot.

The next twenty or thirty seconds transpire very quickly, so quickly, in fact, that neither I nor Paranjay have time to do anything but watch as the drama plays out.  The officer with the drawn weapon shouts repeatedly: “Drop the weapon!  Lie down!, or I will shoot!”  The smitten officer struggles to his feet then draws his sidearm, too, and points it at Quixote and, between commands to drop his weapon, curses his stringy assailant with vile language.  The damsels begin screaming:  “Don’t hurt him!  Don’t hurt him!  Scrappy, drop the broom!  Please Scrappy do what they say!  Forgodssake, drop the broom!”  They huddle closer together and shelter against the wall.

“Oh my god!” I say in shock.  “Surely they won’t shoot the old guy?”

But Quixote defies them and waves his broomstick more deliberately now, as if ready to repel bullets should they come.  The damsels become hysterical, pleading with their knight to lay down his broom and submit.

“Hold your tongues, daughters!” he shouts back.  “I know my duty!  I will give these monkeys a lesson in honor, and they will heed it or else taste my blade.  We were created equal before God—all of us!”

Then he addresses the officers directly.

“You have no power except what’s consented to by the governed and we shall not consent to tyranny!  Haw!”

He leaps forward again as before.

Pang!  Pang-pang-pang!  Pang!

Daggers of white light flash from the guns.  The shots sound like hammers striking metal pipe.  The two damsels and I flinch with each report.  Then a moment, a split second, passes when all the players freeze in place—and silence prevails.  And only the clouds of smoke from the weapons move as they expand and drift upward.  Quixote’s hands release the broom and it falls to the pavement with a hollow smack.  He falls after it.  One knee bends unnaturally under his weight causing him to topple like a building.  All the while, his hands are raised as if still holding the broom.  He hits the pavement and lands in an unnatural position.

The girls shriek several times then wail.  One bends at the waist and reaches for the pavement with both hands like a toddler having second thoughts about walking.  The other—the pregnant one—clings to her companion, arms locked around her abdomen, and goes down to the pavement with her.  The first girl, stabilizes herself on hands and knees and makes as if to crawl to the fallen Quixote but then loses strength and collapses into a fetal position, rocking, and wailing one sentence:  “They killed Scrappy.  They killed Scrappy.”  The two damsels lie in a heap on the cold cement like the Marys might have done at the tomb of Christ.  The last act has ended.  The audience is stunned.

The police, after a moment, relax, stand upright, then move cautiously forward but still train their weapons with both hands on the lifeless figure before them.  One squats over him, touches fingers to neck checking for a pulse, then stands and holsters his weapon.  The other officer puts his away as well.  Scrappy seems small now, diminished, wasted.

In a short period of time, he looks not like a human anymore but like a four-legged animal, a coyote perhaps, lying deflated and flat upon the pavement, like almost a feature of the pavement itself.  He has aged in seconds, become a Methuselah, a skeleton, prisoner of war or refugee of famine now that the spirit has escaped his body.  The bones and teeth in his scull protrude under a thin stretch of skin.

At this point, the doors of the building burst open and the two private security men who had stood behind the glass watching the drama and another man in a suit charge out of the building to take control of the scene.  The man in the suit appears to take charge.  He corners the two police officers and speaks to them aggressively, pointing a finger at Scrappy, then at some distant point on the horizon, then at himself, then at the nose of the officer in front.  Between pointing, he waves his arms as he addresses the two uniformed officers.  They take the dressing down like schoolboys, being lectured by an angry coach—sometimes shrugging or removing their hats and scratching their heads, but obviously they deem themselves inferior in rank to the man in the suit.

Meanwhile, one of the private security men with the physique of Atlas stands over Scrappy and talks into his cellphone, gazing idly into the traffic on New Market Boulevard.  The other one—the smaller man—attempts to move the damsels but is having a rough go of it.  He grabs one woman by the arm and tries to pull her up physically but her body is limp with grief and unresponsive.  Another security man hustles out of the building to assist the smaller man with the women.  Together, they lift one of the women to her feet and make her stand, then escort both women through the building’s main entrance, into the lobby, before ushering them through a door near the front desk.  The one woman continues to wail as they escort her through the door which has a little red sign on it with white letters that reads: PRIVATE.  The door floats closed.  Now they are gone.

Scrappy lies where he fell but his sweater has turned black with blood.  A small stream of red issues forth from his open mouth and puddles against his cheek.  Atlas picks up the broom and pot that had separated from their owner when he fell.   Atlas and the man in the suit turn toward the building and converse quietly, keeping their backs to the street.  But I can see their faces in the reflection of the plate glass: the man in the suit is angry.  The police officers, now, have also disappeared into the building through the same door where the security men took the women.  Then the man in the suit pulls out his cellphone from the inside pocket of his jacket and makes a call.  At the same time, Paranjay appears on the screen in front of me.

“Hello, sir.  This is Paranjay.”

The car begins pulling away from the curb and back onto New Market Boulevard.

“I’m extremely sorry for the delay, sir.  But I’ve been in contact with building security and they’ve requested I move the vehicle until they can properly clear the entrance.  They’ve assured me it won’t take long.  We are going to circle the block to give them better access.”

The car turns right onto North Atlas Avenue.

“Yes, thank you, Paranjay, but shouldn’t we stay at the scene until the police have taken our statements?  Certainly they will want to interview us, don’t you think?”

There’s an uncomfortable pause.

“Paranjay, are you still there?” I ask.

“Yes, sir, I am here.  Uh, well, regarding the unfortunate incident—uh, may I have a minute, sir?”

“Yes, of course.”

“Thank you, sir.”

The car takes another right and bears east.  Though broad, this street is shabby; it’s as if we’ve crossed some invisible line into another world.  Here, there are pedestrians—groups of two or three—trudging along both sides of the street, dressed in the same kind of clothes as Scrappy and the two girls and carrying garbage bags and other objects.

On the north side of the street, so many empty lots open between buildings that more sunlight is let in and the area seems brighter, somehow more festive or nostalgic, perhaps.  It’s not beautiful or happy by any means, but freer and less gloomy than the cloister of buildings from which we’ve just come.

“Hello, sir.  I’m back.  As I was saying about the unfortunate incident today—uh, well, how do I say this?  See, technically, we were not there.  Technically, we’ve been detained in traffic so, actually, we have not yet arrived at Mr. Purcell’s residence and therefore could not have witnessed the, um, arrests of the transients by the city police.”

“So this is the official story?” I say.

“I’m afraid so, sir, yes, for now anyway.  It’s just much less complicated this way, for everyone, you see, including the law enforcement people and us too.  Besides, should the police need to contact either you or me, our security office will be able to point them in the right direction.  But I’m quite certain that that will not be necessary, sir.  Our security people are very professional; they will handle everything.  So, no need to worry.”

“I’m very relieved,” I say, but “relieved” is not what I’m feeling.

“And, by the way, sir, lunch will be served as soon as you arrive.”

“Thanks, Paranjay.”

“My pleasure, sir.”

No Megan this trip.  Instead, Paranjay pipes in rumba music to give the mood a lift and a Caribbean flavor as we circle the block.  It takes Paranjay two trips around a four-block detour before security and building maintenance give us the “all clear” and the work of cleaning up the mess Scrappy left in front of the Mann Building is complete.

But, on our first pass by the Mann Building where the Scrappy incident took place, I see four maintenance men in white overalls working in front of the building.  The security men are all gone.  Two of the workers in overalls sit on vehicles on the sidewalk.  One vehicle is a small orange front-loader, the type used by grounds crews to clear snow or move dirt or sod.  The second vehicle is of the “all terrain” sort with oversized knobby tires.  To it, there is hitched a small green cart for hauling debris.  The cart is draped with a green tarp which conceals whatever “debris” the cart carries at that moment.

The men on the vehicles are, apparently, preparing to drive away so find it necessary to shout instructions and confirmations back and forth about their next destination.  I catch some of their conversation as we pass by.  It seems they are going to the parking garage whose entrance is situated on the North Atlas Avenue side of the building, at the rear.  The garage itself is below street level.

The other two members of the crew are cleaning the sidewalk—well, at least one is; the other is watching.  There’s an irregular shaped patch of white foam on the spot where Scrappy fell.  It’s not large.  And as we pass in the car, one of the men turns on a pressure wash machine and begins blasting the foam toward the gutter.  Islands of foam break away and float in the direction of the curb and, before being annihilated by the pressure stream, turn pink.  The second man leans on his broom handle and watches as the first sprays away the foam and whatever remains of Scrappy.

By the time Paranjay completes the second cycle, the cleanup is all but finished.  Only one maintenance man is left.  He’s drying the last patch of pavement with a leaf blower.   No evidence remains of the inconvenient incident between Scrappy and the police except the slightly damp concrete in front of the building entrance.  So this time, Paranjay delivers me for my luncheon and interview with Mr. Marcus Purcell.

I’m glad to get out of the car.

Copyright © 2023 by Dale Tucker  All rights reserved.

A Book That Changed My Life

Please allow me to recommend a revolutionary book that changed my attitude and relationship with the Earth.  The book is: The One-Straw Revolution by Masanobu Fukuoka.  It was first published in English (I believe) in 1978.  This small book is about how Mr. Fukuoka received his epiphany about natural gardening and small acreage farming.  What is Mr. Fukuoka’s advice to the farmer?  Do nothing!  Of course, there is more to it than that, but the author suggests a radically different approach to growing food than we currently hear from today’s “experts”.  Below, I have listed an ISBN number for The One-Straw Revolution (for the copy I own) and a ten-minute video, featuring Masanobu Fukuoka and his story.

The One-Straw Revolution by Masanobu Fukuoka ISBN:  978-1-59017-313-8

The History of an Idea — Part 3

a black and white photo of a plant in front of a body of water

So I had this dream one night—a very vivid dream—of a dystopian setting in which people were attending a local music concert (see Part 1).  I remembered it very clearly when I woke, and it bothered me.  Its setting was reminiscent of what I knew about the 1930s’ Great Depression as it was here in the United States.

I remember studying photos of poor people living during that period.  One photo in particular—I believe it was of a family or mother and children—took my breath away.  Like everyone, I had seen the photographs of mothers and children, suffering extreme poverty and starvation which charitable organizations often showed us on television commercials to solicit our membership and donations.  These commercials confronted us with heart-wrenching video and photographs of emaciated children and mothers who looked like skeletons with skin stretched over them.

Well, as I turned the page of the book I was viewing—the one, filled with photos of Americans during the 1930s—I was suddenly faced with the image of an American family who looked like starving war refugees or victims of famine.  And certainly, they were victims of famine but these were not from some far away place which I might not be able to find on a map.  No, these were Americans from places like Tennessee or Alabama or California!  That photograph allowed me to understand just how bad those times were for common folk here in the United States.  I had never experienced anything like that level of need in my lifetime, but, as my History professor had stated, it was possible if not likely to happen again.  The only question was:  When?

After my dream, I decided I wanted to write a novel, set in that sort of future dystopia of great economic destress.  I wanted to explore how it might look, but especially how it might feel—and to reach into the emotional impact of such a disaster on, say, someone like me or you.  And, thus, I began writing.  But that was only the seed of the idea.  There was much to develop, still.

There’s more to say, but I’ll say it later.  Until then—see you around the block.

Links You May Enjoy!

green grass field and trees

So today, I updated my LINKS page in the menu above and added a number of new sites.  Check them out!  Here’s what the page now looks like:

Blogs And Other Links You Might Enjoy and Use!

Lopamudra Bandyopadhyay-Chattopadhyay: Poet & Novelist

Notes From A Poemnaut  (Poet)

Frankfurt Radio Symphony — YouTube

48-Hour Books (Printshop for Self-publishing Authors)

Anthony Chene Production — YouTube (Great NDE Documentaries)

Bastard Shaman — YouTube (Reincarnation & Paranormal)

Insteading — YouTube (Homesteading Videos)

Give them a look or listen!  And if you like to cook—

Inspired Taste! (Lots of Super Recipes and Easy)

Deep South Dish (American Southern Style Cooking)

Souped Up Recipes (Great Chinese Cooking – One of My Favorite Sites!)

If you’re an author (or anyone, really) in the United States and want to save money on shipping

Pirate Ship (Great Discounts on USPS and UPS Shipping Rates and They’re Also A Lot of Fun!)

This page will always be available in the top menu under LINKS.

The History of an Idea — Part 2

 

a black and white photo of a plant in front of a body of water

In an American History course I took in college, the professor stated in a lecture that economic depressions, like the so called “Great Depression” of the 1930s, have happened regularly during the course of the history of the United States.  And to make her point, she rattled off several and the years in which they occurred.  In other words—and this she emphasized—economic depressions in the US are not anomalies and ought to be expected.

My paternal grandfather was a carpenter and farmer and the Great Depression pushed him and his family off his farm in Kansas and into the migrant river that rushed to the Pacific Ocean and California—like that described in John Steinbeck’s novel “The Grapes of Wrath”.

But California was not the Promised Land that so many migrant families expected.  Gainful employment was not easy to find.  But my grandfather, being a master carpenter, found work in the shipyards of Long Beach and things might have gone well for him and his family if he had not gotten hit by a drunken driver while crossing a busy street at a crosswalk.

My grandfather’s death left a wife and four children with no social safety net.  My father was the youngest of those four children.  He and his twin brother took any jobs available to them and worked from grade school through high school to help support their mother and then joined the US Navy as soon as they were old enough.  Luckily, they had older siblings who were married and working and who also helped support their mother and those still at home as much as possible during those intervening years after my grandfather’s death.  But my family has known a little about poverty.

The dream that I had of “the Yard” which I described in Part 1, I think was my own psychological response to some rather distressing financial news, happening at about that time—after the banking crisis and near economic crash of 2008.  So my interpretation of this dystopian dream setting was:  that we in the United States might be headed into another Great Depression very soon.  Well, that has not happened, yet, but it still can.  And my intuition says that the next “Grand Depression” in this country might last a very long time.

And it was this thought which began my exploration into how that Grand Depression might look to the average American in the not too distant future.

I’ll expand on this further in Part 3.  Until then—See you around the block.

My Current Work: “Datesville — Out of the Land of Bondage!”

grayscale photography of man sitting on chair

My current work is a dystopian novel, set in the year 2068 titled: Datesville; Out of the Land of Bondage!  A so called “Grand Depression” has engulfed the United States of America since 2029, almost forty years, and it seems endless to the millions of homeless people, trying to survive throughout the country.  Harvey Orange is our main character (and our first person narrator, telling the story) and a journalist who has recently fallen on hard times and now finds himself entering the world of the unfortunate people he has written so many stories about.  I hope you enjoy this little sample from Datesville, Chapter 4.

If you have a question about this story or have a story of your own to tell, please relate it in the comments below.  Remember you might have to sign up for a free (and easy) account with Vivaldi in order to post your comment, but Vivaldi holds your privacy in the highest regard and offers a number of free services if you want them.  I’m very picky about my personal information on the web, and for that reason Vivaldi is my choice of email, blog, and browser provider.  Enjoy the read!

*  *  *  *

Excerpt from Chapter 4 — The Hideous Depression

So eight months pass, and right before I move from New York to Tulsa, I lose phone service for not paying my bill, and I haven’t, yet, been able to replace it.  I’m sure Mom must wonder why I haven’t called.  Now, fifteen months have passed since then; I’ve tried calling twice using the pay-booth, but both times she did not answer.  Probably she did not recognize the number when the call came in and that was why she didn’t pick up.  Or perhaps she is afraid some other medical examiner from some other part of the country is calling with news about Patsy that she’d rather not hear.  So I’ve lost touch with my mother, and now I have no idea what the weather is doing in Churchill or what TV programs Mom finds entertaining.  Sorry, that was cruel.  And to be fair, when she and I still had contact, I wasn’t sharing all of the nitty gritty details of my life with her, either.  So she didn’t know anything about my deteriorating situation at the time nor how bad it has gotten since.

There is something else, perhaps, I should mention about myself—or about my career, I should say—because, if I neglect it, you might assume that my current predicament has somehow caught me by surprise.  It hasn’t really, or at least not completely.  I’ve known theoretically that something like this can happen to anyone, myself included.

See, my bread and butter story has never been the billionaire profile, like the one I planned to write featuring Marcus Purcell.  The billionaire profile has always and only been a bonus gig.  It pays well but audience interest in such an article is extremely narrow, limited mostly to those who like the SOB featured in the story.  No, my real bread and butter is, and has always been, the plight of the common American during this so called Grand Depression which began, by the way, in October of 2029, a year before my birth.  The Grand Depression has dragged on now for some forty years and appears to have no end.  “Grand!”  What a poor choice of adjective, if you ask me!  It implies that what people in this country incessantly endure is somehow magnificent—in a good way—or at least important.  But I say, why not call it what it is?  How about the Hideous or Perpetual Depression?  Or why not the Really Shitty Depression?  Wouldn’t these descriptors seem a bit more accurate?  Grand my ass!  Anyway—

But I’m one of the lucky ones (at least I was until recently) because I’ve managed to escape the dregs of this epoch and have avoided the great cesspool of terrible misery and despair into which so many of my fellow countrymen, and -women, have fallen.  But as stated, I’ve written upwards of forty to fifty articles which have appeared widely, over the years, in well-read periodicals and on popular news sites, describing the sufferings of ordinary people from every walk of life.  And for these bread and butter stories, there never seemed to be a lack of material because it was available everywhere throughout the good ol’ U S of A.

My stories featured former factory workers, school teachers, IT engineers, among so many others, who spent years outdoors in tent-camps, on desolate windblown mountains, in swamplands or deserts, in wooded ravines and on riverbanks, not to mention in the crumbling buildings of inter-cities, or on the margins of dangerous freeways.  Most of these lived in such conditions without shelter, for thirty years or more.  The old-timers were those who remembered life before the crash.  These were the best stories because they depicted the loss of a way of life which the victims, to some extent, had enjoyed.  Not many old-timers yet survive because so many perished prematurely.

I’ve written, too, about people who lived without homes, apartments, bathrooms, and running water for their entire lives—second-generation homeless, as they are known—who were still youths when their stories appeared in magazines they would never read.  Their mothers told how they gave birth in tents, and counted themselves lucky because so many former nurses also populated the camps in those days and were exceptionally generous and goodhearted women who volunteered as midwives and delivered their babies.

For ten years, I traveled and lived out of motels and wrote these stories, describing, basically, only one story—over and over again:  The story’s protagonist was always a middle- or working-class American who lost her job for one reason or another, who couldn’t regain financial stability thereafter, no matter how hard she tried, who prior to her present dilemma could never fathom losing everything she owned, including her family but, of course, did, and who, up until the very day I interviewed her, refused to relinquish hope that one day—without even the prospect of gainful employment anywhere in sight and suffering failing health because of lack of decent nutrition—that one day she would reclaim the modest dream of a “normal life” and that somehow she would find again what had slipped through her fingers a decade or two earlier.  This same protagonist would never concede that homelessness might be the last chapter of her life.  “No, no, this isn’t going to beat me,” she’d say, but in every case it was homelessness that won in the end.

And for ten years, periodicals, catering to the apparatchik-class of the American audience, whose hearts were “crushed” over the tragedy of the Grand Depression, couldn’t get enough of my stories, especially when uploaded with photos of the poverty and squalor in which these individuals lived.  But that was then.

Now Mark Tank informs me that the market for my bread and butter story has dried up, that people these days want “uplifting, inspirational narratives about those who’ve escaped the abyss of poverty and homelessness and pulled their lives out of the toilet.”  Basically, what the American audience wants to read now is that the Grand Depression has, at last, faded into history, so that they no longer have to pay attention to it.  Yes, that would be nice, I tell Mark, except there are no such narratives!  Nothing out there has changed! I tell him.

Or maybe inspirational narratives do exist, he suggests, and you’ve just overlooked them.

Whatever, I say.

The History of an Idea — Part 1

a black and white photo of a plant in front of a body of water

A few years ago I had a rather vivid dream.  And when I awoke, I remembered its details clearly and I thought about it a lot.  It prompted the setting for the scene which I’ve included below.  So rather than describe my dream, I will let you read a bit of the scene it inspired.  This scene is called “The Yard”.

 *  *  *  *

“Bygones.  Let them be,” she said.

But he had taken her right away from me.  Just like if a thief creeps into your house and takes a pistol.  That’s what he’d done, stole her like a pistol.  Not that I would ever own a pistol or that he would ever steal from someone, but that’s exactly what it felt like—like something you had hidden in your closet that made you feel safe at night, something solid like a pistol you knew you could count on, had been taken.  That’s what I mean.  It felt like that.

So I had come down to the yard to hear them play.  I’d heard him play before, lots of times, in fact, but didn’t remember him being all that special, special enough for her to go all gaga over it.  But I could’ve been drunk those other times and not paid attention.  I just needed to make sure my impression was right, and he wasn’t so special, after all.

I had walked down to the yard from my place which took about half an hour to get there.  Arrived a little after dusk.  By then, the sky had turned blue, like the color of a mud dauber, with Venus hanging low and bright above the back fence and stage.  Someone had paid for electricity, so the long swags of wires and light-bulbs that draped from the tall polls around the perimeter and encircled the yard were burning.  You could see pretty good, except a few of the bulbs, here and there, had gone out, leaving some places shadowy and hollow feeling.  So, I sort of stood at the back of the yard trying to pick up on the mood of the evening.

I didn’t see Adeline, yet.

Emmie Schroder was singing.  She sat on a folding chair at the center of the stage, singing into a microphone and playing her autoharp which she held hard against her chest.  Her voice made me picture a weeping willow on a windy day.  She sang Hush, My Love, a kind of sad lullaby.  Dan Coons accompanied her on the fiddle and chimed in on backup now and then.  Emmie was a prodigy, not hardly a day over sixteen, I’d imagine, but already, her songs had made her a favorite around Datesville.  That is doing something in a town chock full of talented musicians and singers.

The yard was about half full when I got there, and there had been a steady stream of new arrivals since then.  Families and couples and loners like me came carrying knapsacks and baskets full of dinner and blankets to spread on the ground.  No doubt they had brought biscuits and cornbread, molasses and apple-butter, boiled potatoes or eggs with salt, egg sandwiches, or maybe even fried chicken or rabbit, and plum or mulberry wine to go with it all.  A young couple near me spread out a blanket and sat down and opened a basket full of warm biscuits and bacon.  It made my mouth water to smell it.  I had not brought anything to eat, and I was wishing I had.

Those that came early had taken advantage of what you might call the “reserve seating” available at the yard, though the only way to reserve it was to get there before someone else took it.  Against the tall, board fence to my right and the rusted hog-wire fence opposite it, on the other side of the yard, were some dusty, threadbare couches and overstuffed chairs, their legs broken off, along with several  discarded bedsprings and, in between, some large cardboard boxes, open at one end.  The couches, chairs, and bedsprings had all been pulled from places that had had fires, so they still smelled of smoke.  But, some folks preferred spreading their blankets on these and sitting on the couches, or what have you, rather than on the hard, lumpy dirt of the open yard.  Teenaged couples and children seemed to enjoy the semi-privacy of the boxes.  From front to back, the reserve seats had all been taken and were filled with loungers, some lying in each other’s embrace.

I wondered why I hadn’t seen Adeline yet.

“Why didn’t you wave back?  Are you ignoring me?”

It was Adeline.  She had come up behind me.

“Wave?  I didn’t see you.”

“I was right up front; you looked straight at me.”

“I didn’t see you,” I said, “honest.”

“I’ll let it go this time, but I hope you’re not being a poop tonight.”

“I’m not being a poop.”

“Good,” she said.  “Tell you what, if you promise not to turn into ‘Mr. Sunshine’ on me and spoil my mood, I’ll give you a beer, maybe even a couple, if I’m feeling generous.  We brought two of boxes of quart jars from Aunt Molly’s, tonight.”

“Who’s we?” I said.

 *  *  *  *

The dream and the setting it produced were the beginning of an idea which has occupied my writing for many years now.  More about this in Part 2.  Until then:  See you around the block.  Dale

Jeap’s Holler — Chapter IX

Here is the final chapter I have written of Jeap’s Holler.  And it ends abruptly because it is not finished.

I should mention also that I have had some trouble with spammers, flooding posts on this blog with lengthy comments, pushing a variety of products.  So if you find that comments on this site have been closed, you will understand why.  But for the time being, I’ll try again to have comments open on newer post.

Hope you enjoy.  — Dale

white, red, and blue floral serving tray on top of table

 

Jeap’s Holler — Chapter IX

Just as Kathy Swann was about to lay out the plan for J.C.—the plan the squatters had come up with on their own—there came a burst of loud voices and boots from the kitchen porch through the screen door.  The commotion was men, it sounded like, stomping their boots to knock off mud and talking loudly about mechanics; what parts needed to be rebuilt or replaced on the old Ford pickup by the barn.

“Please just take them off,” called Kathy from the table.

The screen door squeaked open, and a head poked through.

“Take off what, ma’am?” asked a fellow with a dirty face.

“Your shoes,” she answered.

“Oh—right!”

“She said to take off our shoes,” reported the man with the dirty face to the others.  Their voices quieted as they sat down on the porch steps and removed their footwear.

Kathy excused herself from the table and hurried to the cupboard to get plastic tumblers.  She sat three out and began filling them with sweet tea.

“They think they can get the old Ford running again, but I don’t see how,” said Kathy to J.C.

Just then the screen door squeaked again and three figures entered the cool dimness of the kitchen.

“Hi guys,” said Kathy.  “Come on in.  Sit.  This here is J.C.”

Only two of the the three were men; the third was a woman who wore a broken fedora and had her hair pulled back in a ponytail.  She took the hat off as she entered the room and hung it on a hook beside the door.  Where the two men wore thick white socks on their feet, the woman wore nothing.  She was barefooted, J.C. noticed.

The two men, upon entering the kitchen and returning hellos to Kathy, made a beeline straight for J.C.  The one in front (the fellow with the grease-smudged face) smiled broadly as he extended his hand toward J.C. seated at the table.  J.C. stood and shook both mens’ hands who introduced themselves.  The woman had joined Kathy at the counter to help her bring the tumblers of tea to the table.  But all three and Kathy arrived at the table at about the same time.

“Hi, I’m Brock Baker,” said the man with the smudged face.

“I’m Cal Espinosa,” said the second fellow, giving J.C.’s hand a quick jerk as a sort of truncated handshake.

“Hi, I’m Kipper,” said the woman who seemed friendly and nervous as she extended her hand to J.C., palm down.

“Kipper?” asked J.C. as he shook her hand.

“Yes,” she said, “it’s a nickname, but I don’t use my real name.”

It seemed the fellow named Brock Baker could not stop smiling at J.C. as he pulled up a chair to sit beside him.  Cal Espinosa was a tall lanky fellow, square-jawed and good looking.  He seemed the quiet type.  Kipper possessed an attractive quality (something in her gestures or the way she walked) though she seemed to want to hide that quality and blend into the background.

“Heather was supposed to join us,” said Kipper, “but we couldn’t find her.”

“Oh, I believe she and some of the gals went for a walk to the creek,” said Kathy.

“We can fill her in later,” said Cal quietly.

“We didn’t know who you were last week when you were here,” began Brock, “or we would have wanted to talk to you then.  But Red and Kathy have told us about you, so this time we had to meet you.  I hope you will forgive our intrusion.”

“No intrusion at all,” said J.C.  “I don’t know what Red and Kathy might have told you about me, but I’m just the delivery guy, these days.  But I’m also very happy to meet you and get to know you.  And I like getting out of town and up here into the fresh air whenever I can.”

“So, like, I was told you’re the chairman of the canton’s governing council, or something like that?” asked Brock.

“No, not anymore,” replied J.C.

“But you do sit on the council, right?”

“No, I haven’t served on the council for several years though I attend most of their meetings.  See, we organized the council such that it wouldn’t get . . . stale, shall we say.  We wanted everyone—who would be willing—to serve a term or two on the council to see how it all works.  That way, more citizens gain an understanding of the decision-making process and are better able to empathize with those sitting on the council.  Doing it this way, people learn that we all make bone-headed decisions sometimes so to not get too worked up about it.  But fortunately, the way the council has been designed, it’s easy to fix mistakes whenever they happen.”

“Don’t let him fool you,” said Kathy.  “J.C. here is not just some delivery guy, as he claims or a retired past-member of the governing council.  Everyone from Jeap’s Holler to Chalk Creek knows J.C. is the bona fide Founder of the canton.  Without him, none of this would exist.  Winstanley Canton was J.C.’s brainchild.”

“Wow!” admired Brock.

“Aw come on, now,” said J.C., “I get harebrained ideas all the time.  Only once in a while are they even useful.”

Everyone chuckled at J.C.’s modesty.

“So,” said J.C., “Kathy tells me you guys have a plan.”

“Yes, that’s right.  That’s what we wanted to talk to you about,” said the lanky and quiet Cal Espinosa.

Cal had leaned forward and placed both forearms on the table, a gesture which said he was ready to get down to business.  Both Brock and Kipper shifted their postures in deference to Cal.

J.C. was somewhat surprised that Cal would be the one to speak for the group.  On first impression, he had seemed the most reticent of the three, more likely a supporter of action rather than its initiator.  But his voice was confident and his manner direct.

“We three plus Heather, who is not here,” began Cal, “have been chosen by our group to represent them—well, to represent all of us, that is—and to articulate the whole group’s desires and decisions.  So the three of us don’t speak for ourselves; we speak for the group in general.”

“So you are, in essence, your group’s governing council, would you say?”

“Yes, well, except that we don’t have authority to make decisions on our own, not without first bringing matters to the General Assembly and letting them hash it out until they come to a consensus—a unified decision.  That’s how we work.”

“Yes,” said J.C.  “That’s how we started out, too, so I’m familiar with the process.”

“Right,” said Cal. 

 

Jeap’s Holler — Chapter VIII

Here’s another chapter of “Jeap’s Holler”.  If you’ve landed here for the first time, scroll down to read the other seven chapters of this story.  I have only one more chapter that hasn’t been posted so obviously the work is unfinished.  But in reviewing it for inclusion in my blog, I find that I really like where the Jeap’s dystopian piece begins and may consider developing it further—perhaps completing it.  Write a comment and let me know what you think. — Dale

brown house

From the main road,

J.C. turned onto the narrow, what used to be, gravel track that led out to the Swann and Fowler farms.  It was three bumpy miles from the main road to the Swanns’ place; the Fowlers were a half mile farther.  J.C. took the track slowly in Jean’s old pickup.

The eastern uplands had been the most progressive part of Winstanley Canton.  They had embraced the vision of the canton before any of the others understood it.  They had felt it even before it became a revelation to J.C. whom canton residents widely credited with its creation.

But even before J.C. saw his idea, his vision, the Uplanders knew it would come, that it must come, this other path.  Life had already gotten much simpler for the Uplanders, and that fact alone had had a profoundly positive effect on their lives.

When the electricity failed, life suddenly simplified.  No cell phones; no telephones at all.  No televisions or radios or stereo systems or electronic gadgetry or satellite dishes or microwave ovens or conventional ovens or refrigerators.  No internet!  That, in itself, was a huge millstone suddenly lifted from their necks.  Suddenly they had time, a luxury that at first they did not know how to use.  But what time gave them, more than anything else, was a reconnection with the land.  And they realized that it was good.

By the time the canton was organized, the Uplanders already knew they would not be going back to “civilization” as it had become.  They had found themselves back at a fork in the road where their great-grandparents had once stood, and now they stood.  But this time they decided they were going take the other path.  The one that did not lead to the atomic bomb, nuclear waste, credit ratings and college debt, chemical farming, petrodollars, and mass surveillance.  No, they would not go that way again.  This time, they would choose the other path.  They would choose Peace.  And the Uplanders embraced this alternative choice passionately.

On the uplands one could not find fences.  There were no property lines simply because there was no property, just the land.  The Uplanders had plucked up all of the fences which separated them from their neighbors.  They found it was not so difficult to share pastures, ponds, croplands, and streams.  Sharing, they discovered, was a natural human trait which required no effort at all, just an adjustment in one’s view of his or her place in the scheme of things.

They discovered that when you thought of yourself as an island, then sharing felt like an irritation, like a broken tooth exposed to cool air.  But when you thought of yourself as a vital part of a living organism, one in which you yourself must be present for the organism to survive, then sharing became natural.  In fact it became an elixir which defined you and gave you purpose for being.  And that was true no matter how old or young you were, no matter what your gender, no matter which family you were born into.  You were always necessary and vital to the organism because you had a function within it.  You were needed.  Your natural gifts were appreciated and sought after.

Among the Uplanders, finding one’s natural gifts was almost a cult obsession.  You might not be particularly interested in finding what your own gifts were, but everyone else was keenly interested.  They would not let you drift without knowing what your purpose was and what you wanted from life, especially after you had crossed the threshold of your fifteenth birthday.  But the prodding was not so much to decide on any particular vocation but to explore many, to see which ones might fit.  In this way, the whole community became one’s family.

J.C. pulled Jean’s boxy, green pickup around to the back gate of the Swanns’ house, nearer the kitchen entrance.  Just by the look of things, you might have guessed that either the Swanns had hired a larger crew of farmhands than they actually needed or they were in the midst of a family reunion.  There were people everywhere, all engaged in one sort of work or another.

Three young women and a girl were hanging clothes to dry.  Two men appeared to be engaged in mechanic work on the Swanns’ very old pickup truck which the Swanns themselves had not driven in a decade or more and had left by the barn to rust.  There were people clearing weeds and debris over near where the mechanics were working.  Others were weeding the vegetable garden.  One fellow had apparently paused from splitting firewood in order to sharpen his ax.  There were even a pair of youth – a boy and girl – just raking the driveway as if the Swanns’ place was a palatial estate which required that degree of aesthetic attention.

And all of these workers seemed to be enjoying themselves as they labored.  As if, as just mentioned, they were in attendance at a family reunion and were absorbed in the excitement and pleasure of getting reacquainted with one another after years apart.  There was that kind of energy among them.

Kathy Swann emerged from the kitchen door donning her apron, all smiles and happy.  She waved exuberantly at J.C. as he pulled up near the gate and she hurried out to greet him.

“Hello, J.C.,” she said.  She sort of yodeled the word “hello.”

As J.C. reached the gate, Kathy grabbed him and hugged his neck as if he were her long lost son, returned home from war.

“Jean sent me up with groceries.  They’re in the back,” he managed to whisper as Kathy squeezed his neck.

“How are things?” asked J.C. once he had air again.

“Things are wonderful.  How are they with you?” said Kathy.

“Can’t complain.”

“Well, come in then and have some sweet tea.  So much has happened since you were here.”

Before going inside, Kathy stopped to ask one of the women named Gracie, of the three who hung clothes, if she and her coworkers could bring in the supplies from the pickup truck which J.C. had brought from town.  The women agreed cheerfully and left their baskets of laundry on the grass, to stock the new supplies in the pantry.

J.C. followed Kathy into her kitchen.

The kitchen was cool and dark and filled with a bouquet of cooking fragrances all mingled together.  But most pronounced among them was the tangy fragrance of apple pie.  Three apple pies rested on the kitchen counter, no doubt baked that morning.

J.C. sat down at the well seasoned oak table which stood at the center of the farmhouse kitchen.  The table was black with layers of checked varnish and, in places, its surface sticky with syrup or jam from that morning’s hurried breakfast.  Kathy brought two glasses of cold tea and joined J.C. at the table.  But immediately she jumped up to fetch a damp cloth.  She gave the table a good wiping down and got up the jam or whatever it was that was sticky.

“Miss Kathy?”  It was one of the women hanging laundry outside.  She had poked her head in at the backdoor.

“Yes, sweetheart?” answered Kathy.

“We’ve finished, now.  And we were thinking we’d take a walk down to the creek, unless there was something else you needed.”

“Oh no, everything is done until supper.  You all go ahead, and have a good time.  Thank you, Heather.”

“You’re welcome, ma’am.  See you later.”

The screen door made a nice sound as its spring pulled it closed.

“Quite a crew you have out there,” said J.C.

“Yes, aren’t they amazing?” said Kathy.

“Yes, indeed.  Say, where is Red, by the way?”

“Oh, he’s up the road at the Fowler’s.  He and Frank had something they were doing today.  I forget what.”

“So about your ‘crew’,” said J.C. “how many are there this week?”

“Fifteen.  We had five show up on Wednesday last, bringing the total to eighteen.  But then Thursday, the very next day, three decided to leave which brought us back down to fifteen, total.”

“They eating you out of house and home, yet?”

“No, not yet.  The Fowlers have helped quite a bit.  But, say, there is something I wanted to tell you about which is: we may already have a plan.”

“Really?”

“Yes, really.  It was our sojourners who thought of it.  They’re all very good people, J.C., willing to do just about anything, and they work hard to earn their keep.  They say they know how fortunate they are that we let them stay here and have not chased them off.  Apparently a lot of other places have done that—chased them off—before they landed here.  Speaking for myself, I think we need to keep them.  I mean, I believe the canton should keep them.”

“Hmm.  That’s good to know,” said J.C. thoughtfully.  “I’m just one man, but I agree.  So you say there is a plan?”

“Yes, and I’m surprised that none of us Uplanders thought of it,” said Kathy.

Wanderer Come Home News

Hi Everyone,

A quick note here and news about my novel, Wanderer Come Home!  I have finally completed the work of formatting, redesigning a new cover, and making a final edit of Wanderer on which I have been working for the past several months.  As you may recall, I have been preparing Wanderer for print and now that process is complete.  So in two weeks I plan to submit Wanderer Come Home to 48 Hour Books for printing and should have copies in hand by the end of March.  This process will also produce a revised version of Wanderer as an ebook but may take a little longer before the revised ebook is ready for purchase.  One reason the ebook may take longer is because I’m looking at various alternatives for retail distribution.  I may stick with Smashwords (which I used for a short period, last year) or I may try direct sales of both the print and ebook versions myself; it depends on what seems most practical.  So stay tuned; I’ll keep you up to date as things develop.

Also, may I just mention that because I am self-publishing the print edition of Wanderer, I will have to price the book a little higher than other, comparable books on the market—those offered by large, commercial publishing houses.  I expect Wanderer to retail at $27 USD but, although it’s a “Perfect Bound” paperback, I’m having it printed at 48 Hour Books who produce a superior quality product, not usually found in bookstores or through online retailers.  This book might very well outlive both you and me and will be, at any rate, an attractive and enjoyable addition to your library for years to come.  If you have further questions, please either post them in the comments below or email me via [email protected].  Thank you!    Dale

 

front cover image

Jeap’s Holler — Chapter VII

 

J.C. and Jean strolled slowly together on the gravel driveway in the hot sunlight.  They arrived at the tailgate of Jean’s square, green pickup truck whose paint had erupted into pocks across the top and hood.

She reached out and affectionately patted the side of her old pickup as someone else might do a favorite horse.

“You won’t have to worry about the brakes, anymore,” she said.  “Dan Mills fixed them for me last week.  Brand new, all around.  That Dan’s a good boy.”

“Gave you a good deal, did he?” asked J.C.

“Two dozen asparagus starts and some fresh walnuts of this year’s crop is all it cost me.  You underestimate me, Johnny.  I’m a very good bargainer.”

“I know you are, Jean.”

“When you get back with the pickup I might be napping, so just leave the keys in it; I’ll find them later.”

“All right.  Thank you for the lemonade and the advice.”

“I never give advice, Johnny.  You should know that about me by now.  I only offer friendly observations and encouragement.  I don’t have the courage to give people advice and take responsibility for it.  It’s how people ruin friendships, and I would never want to jeopardize ours, Johnny.  And that’s the truth.”

“I know, Jean.  Well then thank you for the lemonade and the friendly observations, my dear.  I appreciate both very much.”

“You are welcome, and don’t stay away.”

J.C. climbed into the pickup, rolled down the window, slammed the creaky door, and fired up the engine.  Then he waved to Jean and backed the truck down the long drive and out onto F Street where he lurched to a stop as he stepped on the brakes.

“I told you they worked!” shouted Jean and laughed.

He waved again, shifted gears, and was off.

It was an unusually sleepy day for April.  The heat had driven all the gardeners of Jeap’s Holler indoors for the afternoon.  But they would return in the evening with the barn swallows when the breezes had cooled to finish their watering and weeding.

J.C. bounced over the uneven streets of town that had been repaired innumerable times but had not been repaved in forty years or more.  After a quick stop at Spooner’s Bakery where he picked up loaves of unsold bread, J.C. followed B Street until it ran out at the end of town where the old water tower stood.

The water tower had once been bright silver with neat, block lettering, in yellow and black, printed on one side, the side where the tower faced the old highway by which travelers entered town.  J.C. could still make out the message on the tower which had turned into a ghost of the original lettering painted on it:

COALVILLE

Home of the Miners

But Jeap’s Holler had not been Coalville for over eighty years.  The residents had changed the town’s name to spite the coal company when the company suddenly closed the mine and abandoned the workers who had relied on coal, for several generations, as their only source of income.  Jeap’s Holler was the original name of the place before it had been Coalville.  So the people decided to return to their roots and not trust a mining operation ever again.

At the end of B Street, on the other side of the train tracks, there were the water tower and three fat silos on the left—also abandoned.  There B Street branched.  Straight ahead it turned into Fish Lake Road, but to the right it was Old Coalville Road which, if followed, eventually brought one to the hamlet of Turner.  At the stop sign where B Street branched, J.C. continued straight on Fish Lake Road.

Fish Lake Road meandered out to the rustic picnic grounds at the lower end of the lake, then skirted the tranquil body of water for about three miles along its northern shore until it reached the lake’s upper leg where J.C. enjoyed fishing the bass which prowled its reedy shallows in late spring.

At the upper leg, the road parted company with the lake’s edge and angled along the grassy wetland, southward, until it found the canyon’s mouth.  There, among granite outcroppings and eastern white pine, the road swung east and gained elevation as it hugged the hillside and began climbing the canyon.

Ironically, the canyon appeared drier at its base where the lake and wetlands were, but grew greener and lusher with fern and woodland shrubs the farther up the canyon one went.  The canyon was a long and gentle grade, but a person did not travel too far before the granite outcroppings sank into the earth and the topsoil became deeper and richer, enough to support fruit trees on the western exposures.

At another period in their history, the hills around Fish Lake had supplied three large fruit packing companies with good quantities and a wide variety of fruit, though apples and cider where its champions.  There were some nut orchards intermingled as well.  Of all the orchards in that area, the Bridewell Estate was most famous and the largest.  It spread across 250 acres and lay just off of Lake Road (as the road is known once it enters the canyon).

But the Bridewell orchards had not been kept up for many years and were now approaching the brink of no return in terms of restoration.  Some of them had already crossed the line and would have to be torn out and replanted before they would be productive again.  J.C. cruised past the gate leading to the Bridewell mansion and pushed on up the grade toward the top.

The canyon would have presented a hard climb for J.C. on his bicycle, but he had done it many times before.  But by now, he had achieved the summit and below him—down a gentle decline and in a shallow valley—lay the upland farms spread out before him.  The individual farms were separated by natural margins of undergrowth, rills, and woods.

J.C., even on his bicycle, had always considered climbing the canyon worth the effort when he finally reached the uplands because they were so idyllic and beautiful.  The families who lived up there, thought J.C., were the most fortunate inhabitants of all Winstanley Canton.

Jeap’s Holler — Chapter VI

orange fruit

 

About half the towners who lived in Jeap’s Holler owned motor vehicles of one sort or another.  J.C. was not one of them.  He owned a fat-tire bicycle and kept its chain oiled.  It had a tote trailer attached to the back which allowed J.C. to haul the stuff he needed such as groceries and library books.

J.C. mounted his blue Star-Trail bike and rode west on B Street, two blocks until he came to Filbert Avenue where he turned left and headed south toward F Street.  At F Street he floated a right turn and headed west again.  There the bungalows spread out on larger lots and floated in green.

There were gardens everywhere though they were not deep yet since it was only April.  By June the little white, yellow, or green bungalows would hardly be visible when the gardens had achieved their full glory.  Lawns, when they existed, were reserved for backyards and were usually small.  Most residents of Jeap’s Holler would rather grow flowers or rosebushes than idle good ground with, virtually, pasture.

It was a half-mile to Jean Friggatt’s place down F Street once J.C. had turned west.  Along the way grew nice, mature trees—hardwoods, willows, and fruit trees—which created a polka-dotted effect on the landscape.  Looking at this setting, with its soft, green hills and perfect placement of trees, made J.C. feel as if he had entered a land of fairytales and gnomes, where at any minute a dragon might wing past, overhead.  The sky was a perfect cerulean except for a line of fleecy white clouds which sailed along its southern horizon.

Right where the road bridged Cold Creek there grew an enormous weeping willow tree.  If I were a kid again, thought J.C., I would spend my entire summer in that tree and only come down to fish the creek under its branches.  Somehow it seemed the willow created its own breezes where everywhere else there were none.

Fifty yards beyond the willow J.C. arrived at Jean’s house.  She would probably be outside, somewhere.  He would look for her around back.

“Oh there you are!” sang Jean, her voice high and excited, when she found J.C. inspecting her poll beans.  “You’re here just in time; I’m headed in for some lemonade.  How about you, Johnny, could you use a lemonade?  You must be thirsty from such a long ride, all the way out here.”

J.C. accepted a glass of lemonade, and the two of them sat at a blue painted table under a pear tree and listened to Cold Creek gurgle for a few minutes without conversation.

Jean was a woman of seventy years who still had not lost all of the umber in her hair.  She was of medium height but had both a straight back and straight shoulders which made her appear taller than she was.  Her face was well wrinkled, yet the wrinkles somehow contributed to her natural beauty.  Her eyes were black but, like obsidian, contained light.  She was the embodiment of a riddle, and her mind was keener than any J.C. had encountered before.  In a way she had become his guru though she was frugal with her outlays of advice.

She seemed to enjoy studying J.C.’s face and did so always with a droll expression on hers.  It was as if she read his mind perfectly while she looked at him and found its sundry contents amusing.

She smiled at J.C.  A few wisps of her hair had escaped the confines of the floppy brimmed hat she wore and were stuck to her face with perspiration.  He returned her smile, thinking how nice it felt to be smiled at.

“Are you going out to see our friends today?” she asked finally.

“Yes, I plan to,” said J.C.

“I hope you will take my pickup.  I had to clear out my root cellar, so there are cabbages and onions and other things I needed to get rid of.  Some canned goods, too.  Oh, and a bag of English walnuts; I’d hate for them to go sour.  Will you deliver these things for me?”

“Of course, I’d be happy to.”

“Well then, you’ll have to take the pickup for sure; your bicycle won’t hold it all.”

J.C. nodded in agreement.

“So how many squatters are there, Johnny?”

“Last Monday there were thirteen, including three kids—seven to nine years old, somewhere in that age group, is my guess.  The kids were new last week.  I don’t know how many total there’ll be this week.  Kathy Swann, God bless her, has taken them under her wing, so they’ve probably done all right as far as food goes, but thirteen is a lot of mouths to feed.  I’ll see how things are this week, but I’m going to have to bring it up to the council tomorrow night.  I can’t keep it under my hat any longer.”

“What’s the mood among the uplanders?  Are they worried?”

“The Swanns seem fine.  I don’t know about the others.  Everything seems okay, so far, from what I can tell.”

“So might the uplanders handle it themselves?  Just absorb the squatters?”

“Again, I don’t know.  I don’t know if they know, yet.  They haven’t made any demands on the council.”

“Don’t mean to change the subject but how’s Dale Scoggins doing these days?  You mentioned you wanted to see him last week.”

“Had breakfast with him this morning.  Asked him about the common gardens idea.  He wasn’t too keen on it.  I didn’t mention the squatters.  I was afraid that would prompt an automatic rejection without him even listening to the merits of the argument.  But I still believe that if the towners made some kind of gesture, such as the gardens, then it would probably put us in a better position to negotiate with the uplanders if it came to that.”

“May I make a suggestion?” asked Jean.

“Yes, of course, Jean.”

“I think you’re right.  You should inform the council about the squatter situation tomorrow night.  I’ll be there, too, for support.  But don’t get too far ahead of yourself, Johnny.  The ultimate answer lies in the uplands; they may fix it before we can even start.  So let them, if they choose to.  In the meantime, talk to Dale Scoggins again when you have the chance.  Explain the whole situation to him.  Tell him your ideas; he may have some of his own.  Dale’s a reasonable man and a problem-solver when he needs to be.  We’ll need Dale as an ally if the uplanders can’t handle the squatter problem by themselves.  Just take it slowly.  That’s my suggestion.”

“Yes, of course, Jean.  You are alway right about the timing of things.”

“Your ideas are sound, Johnny, but we have to play it carefully.  The worst thing we could do would be to create a schism between the uplanders and the in-towners.  Don’t you agree?”

“Oh yes, of course.  But we knew word would get out eventually, and we’d have to face this one day.  I just have this gut feeling that this is the trickle before the deluge, and the ark isn’t finished, yet.  We need to get ahead of it, Jean, so it doesn’t destroy everything we’ve worked for.  We’ve put too much into this dream to see it all wash away down stream.”

“That we have,” said Jean.  “More lemonade, Johnny?”

Jeap’s Holler — Chapter V

group of people eating on restaurant

 

Dew gave drink to the moss this morning as the frog chorus sang.  Among a murder of crows a cote of doves had settled, all looking west.  They were white and clean in their new spring clothes.

As their heads bobbed they began to spread like congregants leaving church for Sunday supper.  Now and then they found millet which the squirrels had overlooked.

It was a fine morning.  I hope Spring does not leave us prematurely as it did last year.

– from the notebook of J.C. Winchell

Ping-ping!

The cook hit the bell twice and lifted two hot plates of food through the window onto the stainless steel shelf for the waitress.

“Doris,” he called, “your order’s up,” upon which the cook  withdrew back into his hot cave, where waiting for his return were his spatula and the griddle.

Doris picked up the ticket, checked its table number, and pulled the plates down without once breaking the flow of her conversation with Ginger (the other waitress) until, of course, Doris was about to cross the pale of the counter’s end and enter the restaurant’s dining room.

“Hold on, honey, my table five is ready,” said Doris.

Doris crossed the dinning room to a booth where two older men sat, sipping coffee.

“Dale, J.C.,” she said as she placed the heavy plates of breakfast in front of the hungry men.  “Well, J.C. I thought you’d get enough of this place to stay away on your days off.”

“I just avoid cooking if I can help it,” he said.  “But I still eat, and here is the only place that serves breakfast.  So, you know, it’s where I come.”

“Makes sense, I guess.  Dale, you old razorback, you got a garden this year?”

“You know I do.  ‘Bout a quarter-acre is all.”

“Hmm.  That’s kind of slackin’ for you, isn’t it?”

“How much you put in, Doris?”

“I’ve got a nice little patch out back, as much as I can handle.  I’ll be back in a minute with coffee, fellas.  Enjoy your breakfast.”

With a wink Doris was off and back to the counter where Ginger awaited the continuation of their conversation.

Dale Skoggins picked up his fork and began cutting his eggs into squares causing the yokes to puddle into the potatoes.

“But back to what I was saying, J.C.:  I mean, I don’t have a quarrel with the idea, per se.  It’s a noble concept and I get it.  But I don’t think people will go for it.  I might, perhaps.  But I think it would be something of a horse-pill for most others to swallow.  It’s just too idealistic.  People rely on their gardens, J.C.  You’re talking about jeopardizing them.”

“No, I’m not.  It’s not like it’s going to change anything.  Even as it now stands, who do you know who would file charges if someone stole a grocery bag full of vegetables from their garden?”

“Well, no one, I guess.  But they might go to the law if it happened two or three times or became a regular thing.  That would be different.”

“I’m sure we could find a way, outside of the law, to deal with that type of problem, don’t you?”

“Yes, I suppose so.”

“Look, the change of law which I’m proposing is really just symbolic but it’s an important gesture.  One that would better align our laws with our values.  I see it as another step in our ongoing effort to decriminalize society and broaden personal freedom.”

“No, that’s not what you’ve said.  Now the way I understand it, J.C., is that you are proposing that all gardens within the boundaries of Winstanley Canton which have, up to now, been private property—”

“Not private property.  Privately controlled property.  There is a difference,” interrupted J.C.

“Not much of one,” Dale shot back.  “If I own what grows on the property then how is that different from owning the land itself?  There’s no real difference as I see it.  Anyway, what you propose, J.C., is that privately controlled property should become common property so I don’t see that as simply decriminalization.  And there is a difference here—between privately controlled property, as you call it, and commons.  There’s a big difference.  You say the gardens, all gardens, should belong to everyone which means that anyone who picks a bag of my tomatoes out of my garden—which I alone spent the time and effort to raise—can do so legally without so much as asking me, first.  Am I not correct?”

“You are correct.  But—”

“Let me finish, J.C.”

“Okay.  Sorry.”

“I mean, I’ve never begrudged anyone a bag of tomatoes but this proposal of yours goes too far.  So here’s the rub, as I see it:  It boils down to incentive or disincentive, however you look at it.  On the one hand, if I’m able to go around, without lifting a finger to garden myself, and can basically rob from other people’s gardens, is that not disincentive to grow my own garden?  So what you get, then, is less motivation for people to grow gardens which would eventually lead to shortages.  Would it not?  On the other hand, if I’m someone who enjoys gardening—as I do—but every year, other people eat up my produce simply because they’re too lazy to grow their own, then wouldn’t that discourage me from growing a garden the next year?”

“You tell me.  Would it?”

“Well it might.  Yes, it just might.  A part of the reward for growing vegetables is getting to eat what you grow.  That’s a big part of it.  Without that, well, I don’t know if it would be worth it.  It’s a noble idea, J.C., but damned idealistic, if you ask me,” said Dale.

“Well, Dale, you’re the one person in Jeap’s Holler who I figured loves to garden the most which was why I wanted to ask you about this, first.  You’ve given me food for thought.  By the way, breakfast is on me, today.”

“Oh no, that’s not necessary, J.C.”

“I know, but I want to.”

“Well it’s my turn next time, then.”

“Good enough.  Say, you going fishing tonight?” asked J.C.

“Maybe.  Don’t know yet.  You?”

“Yeah, going to hit the upper leg tonight after supper.  I figure the bass are up there by now.”

“Well, good luck, J.C., with the fishing and all.”

“Thank you.”

By then J.C. had stood and collected the ticket from the edge of the table.  He put on his felt hat, nodded goodbye to Dale Scoggins who had not finished his coffee, then went to find Doris so to pay for breakfast.

It was a quarter till nine, Monday morning, and J.C. Winchell still had a busy day ahead of him with many errands to run.  His next errand was to visit Jean Friggatt about the squatters who had recently settled up near the Fowler and Swann farms in the woods above Fish Lake.

Jeap’s Holler — Chapter IV

pink cherry blossom tree on green grass field

 

“This is terribly vain of me,” said the judge, “but I’m really curious as to how I’m supposed to—well, you know, die.”  The judge used air quotes around the word die.

“Everyone wants to know,” said Jane.  “You’d have been the first if you hadn’t asked.  But the company has found, over so many decades of doing this, that the less the client knows the better.  And here’s why:  Once you, as the client, cross the Rubicon you are, in fact, a completely different person.  The person you used to be does die—all of her history, all of her interests, and all of her memories of family and loved ones die with her.  Just for example:  Do you know the name, John Singer Sargent?”

“Yes, of course.  He’s the famous painter, isn’t he?”

“Yes.  The very famous American portrait artist.  But let me ask:  Do you know how he died?”

The judge rolled her eyes.  “No, but who would?” she said.

“Exactly!” said Jane.  “No, you wouldn’t know because he was a person of another era whom you did not know personally and never met.  And that’s why you don’t know that he died in England on April 14th, 1925 of heart disease.  As the new you, you will not personally know the person I’m speaking to right now.  So the less you know about the old you the easier it will be to become the new you; and that’s what the transition course is all about.  But we have other fish to fry, as they say, before all of that.”

Jane hesitated for a moment then added:

“But I can give you this much about your death, if you really must know.”

“Yes, I would like to know anything you can tell me.”

“You will die of sepsis from a sudden virulent infection, contracted during a routine removal of a precancerous lump under your arm.  It happens all the time.  But that’s all I can say for now.  Later, of course, you can read your own obituary if you feel that’s something you must do but I recommend against it.”

“No hit men or anything like that?  Or suicide?”

“No.  You’ll go peacefully in your sleep.  All very low key.”

“Oh thank god!” exclaimed the judge.  “I feel better already.”

Jane glanced at her wristwatch.

“But what about my—my husband and children?  How are you going to deal with them while I’m supposed to be dying?”

“We have that covered,” said Jane.  “But your death will happen suddenly and unexpectedly so it will be a shock to everyone.  But since you’ve brought it up, let me ask: how open have you been with your husband and children about your last wishes, those in your 1990 will?  Are all of your family aware that you plan to have your body cremated and that you want no public memorial services?”

“Oh yes, they’re all well aware of my wishes.”

“Good.  Then there should be no difficulty at all.  But we’ll handle all of those details.  You don’t need to worry.”

“So . . . “ said Jane as she exhaled.  “We need to discuss name.”

Jane began searching her leather attaché then pulled out a yellow legal pad full of hand written notes.

“And on that front, I have some very good news and a little bit of not-so-great news.  But let me just lay it out for you.

“First the good news.  We’ve done extensive research and have found one really good choice for a surname.  It’s a name from here in Jeap’s Holler which goes way back.  It’s literally as old as these hills.  The really great thing about it is that there are almost no direct descendants still living and those that are alive are quite elderly and not likely to even hear about their long lost cousin.  And the closest one, geographically, is an eighty-seven year old woman who lives in a care facility three hours from here.  That makes things much easier for you.  No one popping over for tea or needing a loan or any of that sort of thing.”

“So what’s the name?” asked the judge.

“The bit of not-so-great news is that we couldn’t find any other viable choices for here, for Jeap’s Holler, I mean.  There’s really only one option, if you want roots.  There are a million choices if roots don’t matter but in your case roots do matter; you want to enter this tight-knit community without too much prying by your new neighbors.  And that was the platform we were given.”

The judge decided to cut short the lengthy disclaimer.

“Look, obviously it’s not a name you think I’ll like.  But I’m a big girl so why don’t you just tell me the name and we’ll get on with it?  Besides, how bad can it be, really?”

“The name is Hickey,” said Jane.

“Oh my fucking god!  You’ve got to be kidding me!” said the judge.

“I’m afraid not, Your Honor.  Is this a deal-breaker?  I mean, it will change things if it is.  We’ll have to pretty much start from scratch, at least as far as the biometrics are concerned and, as you know, that’s a big deal.  It takes time.”

It was the first time during the meeting Jane showed any sign of stress: she pursed her lips and wrinkled her forehead after asking the “deal-breaker” question.

“So you’re telling me that if it’s not Hickey then we have to start over?”

“Yes, Your Honor, that’s what I’m telling you.”

“There aren’t any other choices?  None?”

“No, Your Honor.  I don’t know if this helps you with your decision or not, but there is an entire unit on name attachment during the transition training course.  The unit is extensive and, according to our client surveys, one of the most useful in the entire course.”

Jane glanced at her wristwatch again.

“I’m afraid, Your Honor, we’re going to have to decide whether or not this goes forward.  You have to decide right now.  The flight for Zurich is scheduled for Thursday evening.  Everything in Zurich is in place—your elective surgeries and so forth.  But it’s better for everyone, including me, to turn off the machine right now and let it cool, than to move forward if there’s any uncertainly whatsoever.”

Jane waited for the judge who was again peering out the side window.  But the judge did not linger long.

“No.  No,” she said forcefully.  “I will not let this hold me back.  Do not turn off the machine.  I want to go forward.  But, please, just assure me of one thing, will you?”

“And what is that?”

“That my first name does not have to be Martha!”

Jane began flipping the pages of her notepad, pretending to scan her notes.

“Ah. . . well . . . let me see. . . .”

The judge physically recoiled in her seat.

“I’m just kidding,” said Jane as she closed her notepad and smiled.  “There are many more choices for first names, and Martha doesn’t have to be one of them.”

Both women broke into laughter.  The judge laughed until tears dampened the corners of her eyes.